Features
- 5 Digital Inputs
- 2 Stereo Analog Outputs (1 RCA, 1 XLR)
- Digital Pass-Through
- Native DSD Conversion
- Control-lock Switch
- Asynchronous USB 2.0
- Driverless Asynchronous USB 1.1
- Bi-Directional 12 Volt Trigger
- ES9028PRO Converter
£1,999
Audio Performance | |
Fs = 44.1 to 96 kHz, 20 to 20 kHz BW, 1 kHz test tone, 0 dBFS = +24 dBu (unless noted) | |
SNR – A-Weighted, 0 dBFS = +24 dBu | 125 dB, 128 dB relative to intersample peaks |
SNR – Unweighted, 0 dBFS = +24 dBu | 123 dB, 126 dB relative to intersample peaks |
THD+N, 1 kHz at 0 dBFS | -113 dBFS, -113 dB, 0.00022% |
THD+N, 1 kHz at -1 dBFS | -114 dBFS, -113 dB, 0.00022% |
THD+N, 1 kHz at –3 dBFS | -119 dBFS, -116 dB, 0.00016% |
THD+N, 20 to 20 kHz test tone at –3 dBFS | -113 dBFS, -110 dB, 0.00032% |
Frequency Response at Fs=192 kHz | +0 dB, -0.015 dB (20 to 20 kHz) -0.015 dB at 10 Hz -0.005 dB at 20 kHz -0.031 dB at 40 kHz -0.15 dB at 80 kHz |
Frequency Response at Fs=48 kHz | +0 dB, -0.015 dB (20 to 20 kHz) -0.015 dB at 10 Hz -0.005 dB at 20 kHz |
Crosstalk | -116 dB at 20 kHz -130 dB at 1 kHz -137 dB at 20 Hz |
Maximum Amplitude of Jitter Induced Sidebands (10 kHz 0 dBFS test tone, 12.75 UI sinusoidal jitter at 1 kHz) | < -144 dB |
Maximum Amplitude of Spurious Tones with 0 dBFS test signal | < -138 dB |
Maximum Amplitude of Idle Tones | < -147 dB |
Maximum Amplitude of AC line related Hum & Noise | < -133 dB |
Inter-channel Differential Phase (Stereo Pair – any sample rate) | +/- 0.25 degrees at 20 kHz |
Inter-channel Differential Phase (Between DAC3 Units Fs<110 kHz) Any sample rate. | +/- 0.25 degrees at 20 kHz |
Maximum Lock Time after Fs change | 6 ms |
Soft Mute Ramp Up/Down Time | 9.6 ms |
Mute on Receive Error | Yes |
Mute on Lock Error | Yes |
Mute on Idle Channel | No |
50/15 us De-Emphasis Enable | Automatic in Consumer Mode |
De-Emphasis Method | Digital IIR |
De-Emphasis Supported at | Fs = 32, 44.1, 48 kHz |
Group Delay (Latency) | |
Delay – Digital Input to Analog Output (function of sample rate) | 1.36 ms at 44.1 kHz 1.27 ms at 48 kHz 0.90 ms at 88.2 kHz 0.82 ms at 96 kHz 0.51 ms at 176.4 kHz 0.47 ms at 192 kHz |
Digital Audio Inputs | |
Number of Digital Inputs (switch selected) | 5 (1 USB, 2 Optical, 2 Coaxial) |
Number of Channels | 2 |
Input Sample Frequency Range | 28 to 210 kHz (Coaxial Inputs) 28 to 96 kHz (Optical Inputs) 44.1, 48, 88.2, 96, 176.4, 192 kHz (USB Input) |
Maximum Input Word Length | 24 bits |
Digital Input Impedance | 75 Ohms (Coaxial Inputs) |
DC Blocking Capacitors on Digital Inputs | Yes (Coaxial Inputs) |
Transient and Over-Voltage Protection on Digital Inputs | Yes (Coaxial Inputs) |
Minimum Digital Input Level | 250 mVpp (Coaxial Inputs) |
Jitter Tolerance
(With no Measurable Change in Performance) |
>12.75 UI sine, 100 Hz to 3 kHz >1.5 UI sine at 20 kHz >1.5 UI sine at 40 kHz >1.5 UI sine at 80 kHz >1.5 UI sine at 90 kHz >0.25 UI sine above 160 kHz |
Jitter Attenuation Method | Benchmark UltraLock3™ – all inputs |
Balanced Analog Outputs | |
Number of Balanced Analog Outputs | 2 |
Output Connector | Gold-Pin Neutrik™ male XLR |
Output Impedance | 60 Ohms (Attenuator off) 425 Ohms (Attenuator = 10 dB) 135 Ohms (Attenuator = 20 dB) |
Analog Output Clip Point | +30 dBu |
Factory Calibration (at 0 dBFS) | +24 dBu (Attenuator off) |
Output Level Variation with Sample Rate (44.1 kHz vs. 96 kHz) | < +/- 0.006 dB |
Unbalanced Analog Outputs | |
Number of Unbalanced Analog Outputs | 2 |
Output Connector | RCA |
Output Impedance | 30 Ohms |
Analog Output Clip Point | +13.5 dBu (3.7 Vrms) |
Factory Calibration (at 0 dBFS) | +8.2 dBu (2 Vrms) |
Output Level Variation with Sample Rate | < +/- 0.006 dB |
Status Display | |
Indicators – Type and Location | 12 LED’s on Front Panel |
Selection/Status Indication | 1 – Control Lock 5 – Input 2 – Word length 4 – Sample Rate |
AC Power Requirements | |
Nominal Input Operating Voltage Range (VAC RMS) | 100 – 240V |
Frequency | 50-60 Hz |
Power | < 0.5 Watts Idle
12 Watts Typical Program 13 Watts Maximum |
Fuses | 5 x 20 mm (2 required)
0.5 A 250 V Slo-Blo® Type |
Min/Max Operating range (VAC RMS) | 90 – 260 VAC
47 – 63 Hz |
Dimensions | |
Form Factor | ½ Rack Wide, 1 RU High |
Depth behind the front panel | 8.5” (216 mm) |
Overall depth including connectors but without power cord | 9.33” (237 mm) |
Width | 9.5” (249 mm) |
Height | 1.725” (44.5 mm) |
Weight | |
DAC3 only | 3 lb. |
DAC3 with remote control, power cord, extra fuses, and manual | 4 lb. |
Shipping weight | 7 lb. |
The DAC3 B is the basic D/A converter in Benchmark’s DAC3 converter series. The DAC3 B is the ideal converter to use in front of Benchmark’s HPA4 headphone amplifier or LA4 line amplifier. It is also ideal for many professional studio applications. It delivers the full performance of the flagship DAC3 HGC but eliminates the volume control, the analogue inputs, the mute and polarity controls, and the headphone amplifier.
To make system integration easy, the DAC3 B retains an IR remote control (handset optional), a 12 V trigger, and the programmable auto-on feature. The DAC3 B adds a control-lock feature that turns off the remote control and locks the keypad to prevent tampering and accidental changes. The optional 1/2-width rack-mount faceplate allows the mounting of two units in a single 1-RU rack space.
The DAC3 B sounds exactly like the DAC3 HGC because it uses the same circuit board and the same audio path. Benchmark has simply eliminated the unnecessary parts to deliver a stripped-down race car of a converter. If you want a basic D/A converter that delivers the finest conversion available, the DAC3 B is for you. The DAC3 B is a 2-channel D/A converter featuring the new ESS Technologies ES9028PRO converter chip. The DAC3 converter has lower THD and THD+N noise than Benchmark’s DAC2 converters.
Benchmark’s DAC1 and DAC2 D/A converter families have been the reference to which other converters have been compared. It is rare to find a converter review that does not draw comparisons to the DAC1 or the DAC2. Benchmark converters are in daily use at many of the world’s finest recording studios and mastering rooms. Benchmark converters are also enjoyed by thousands of audiophiles. Benchmark has raised the bar again … the DAC3 defines a new reference.
The DAC3 B is the ideal converter to use in front of Benchmark’s HPA4 headphone amplifier or LA4 line amplifier. It is also ideal for many professional studio applications. It delivers the full performance of the flagship DAC3 HGC but eliminates the volume control, the analogue inputs, the mute and polarity controls, and the headphone amplifier.
The DAC3 B is a professional reference-grade audio digital-to-analogue converter with a fixed gain output. The DAC3 B supports 24-bit D/A conversion of PCM at sample rates up to 192 kHz. It also supports direct conversion of 1-bit DSD at a 2.8224 MHz sample rate. It is designed to be very transparent and this makes it well-suited for critical monitoring in studio control rooms and mastering rooms
Colour | Black, Silver |
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